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阿米尔:一位阿富汗流亡音乐家在巴基斯坦白沙瓦的生活 Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan(1985)
- 标签:
- 纪录片
- 类型:
- 电影
- 导演:
- John Baily
- 主演:
- 评分:
- 9
- 剧情:
- Between 1973 and 1977 John Baily carried out extensive ethnomusicological fieldwork on the urban music of Afghanistan, particularly in the western city of Herat. In 1985, he traveled to Peshawar to film Afghan refugees who were musicians and again met his old friend Amir Mohammad, from Herat. The film portrays aspects of Amir's life as a refugee - his living conditions in Pesha......

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- 主演:
- 类型:
- 暂无
- 地区:
- 美国
- 评分:
- 无
- 简介:
- 暂无...
- 评论:
- 好看,价值观,氛围很喜欢
- 国产剧氛围派的经典案例。要演技有氛围,要逻辑有氛围,要冲突有氛围,要台词有氛围,要烟火气有氛围。这种氛围来自:《假如爱有天意》的曲,冬至的雪,满地猫狗的院子,小众的传统手艺,文不对题的荧幕文案金句。看得出来创作团队很想把“梅子熟了”做成经典符合,但最终处理之生硬突兀可以说是整部剧的缩影,最终就是“我懂你意思”,只可意会。由于有且只有氛围,导致b站很多剪辑创作都比它更合理更好看。同样因为只有氛围,当女二和男二分别上线后,剧的难看程度就加深一步,因为人物增多冲突增多创作团队把握不住,“他没那个能力,你知道吗”。另外还有女性价值以及辱华部分,迎合市场的意图太过刻意,手法又很简单粗暴,弄巧成拙,贻笑大方。整部剧看下来印象深刻的只有两个:冬至和女主。