
-
Lost & Found(2019)
- 标签:
- 剧情
- 类型:
- 电影
- 导演:
- Brittany Hendricks
- 主演:
- 评分:
- 9
- 剧情:
- Austin Wright is a 17-year-old boy whose world is completely rocked when his long-time girlfriend suddenly commits suicide. His troubled past marked by frequent run-ins with the law does not help this small community from pointing their fingers in Austin's direction. Throughout the film, Austin makes attempts at buffering his reputation, but pressure from his mother, his relati......

-
- 主演:
- 类型:
- 科幻,动作,冒险,爱情
- 地区:
- 美国
- 评分:
- 无
- 简介:
- A space ship crash lands on the third planet of a distant solar system, killing all hands except for...
- 评论:
- 三个主角都拥有了选择权,所以尽管各自遇到了一些困难,但这些困难在她们的承受范围内,所以也必然可以独立解决。这层表象背后的本质其实是她们是城市中产,经济独立,思想进步。三十而已。三十不再是一道坎,它不过就是一个数字而已。所以你看,这部剧的出现本身是值得我们高兴的,当社会上这样的女性多了以后,市场也迅速给出了回应,有观众为之买单才会有相应的产品。当然,还有更多的女性依旧没有选择权,而选择也必然不只是这三种而已,就像第一集的那位中年女子一样,我们需要不断为之努力。
- 两星给前几集,本人冷暴力承受者,陈屿惹哭丈母娘,没有同理心,漠视妻子的术后恢复和睡眠,种种刻画非常真实,我一度跟着钟晓芹一起哭,有几个场面因为太有代入感而感觉窒息,需要暂停键缓缓。我相信大多数冷暴力承受者会和我一样的感受,看到钟晓芹果断离婚脱离抑郁婚姻真的很inspired,观感解脱。到32集,钟晓芹哭着觉得是自己错,没有看到陈屿的付出。我崩了,也疯了。看剧透后面陈屿大变样,钟晓芹倒追?这尼玛是玄幻剧?我要说一万次,冷暴力是家暴的一种,发生一次等于无数次,真实世界里是绝对不会发生陈屿这种改变。