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单程票 The One-Way Ticket(2022)
- 标签:
- 类型:
- 电影
- 导演:
- Melika Rezapour
- 主演:
- 评分:
- 9
- 剧情:
- A German Iranian co-production. The story is narrated from Taha’s point of view, a six-year-old boy who has been raised by a misogynist father and lives in a society where women have no freedom of choice. He finds out that his sister wants to escape with her lover. Now the decision is his whether to reveal the secret to his father or not. 源自:https://ccadiff.ukzn.ac.za/diff44/th......

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- 主演:
- 类型:
- 励志
- 地区:
- 暂无
- 评分:
- 1
- 简介:
- 首赞什么鬼啊……节奏有问题怪短视频侵蚀人格?????糙点多到不知道从何吐起.........
- 评论:
- 《漫长》用了“虽然..但是..”的叙事陷阱,王响/彪子虽然大男子主义很油一堆臭毛病但很惨很重感情,王阳虽然窝囊但是死于英雄救美啊,而丽茹/殷红/沈默就是虽然生活不如意很惨各种受伤害但是是小三/出卖朋友/是杀人犯云云,看似公平复杂的人物刻画实则在诱导观众,写故事的人对男主们深深的爱一目了然,尤其到最后两集,几乎被男性的自恋气息熏翻在地。确实是一部男性极度沉浸于自我描绘的作品,同时被这个自我深深感动,整部剧的女性都是陪衬的工具人,她们毫无心路历程,都是扁平化的背景板女性形象,相反,全片各种角度描绘男人们的悲伤自尊痛苦和爱。就连沈墨作为贯穿整部剧三条时间线的焦点人物,本来可以刻画得很出彩,但最终也因为缺乏太多细节沦为点缀,一个个本可以刻画的很好的女角色都跟一根根干瘪的苦瓜一样,扁平惨
- 和摩西比差多了